ANNIVERSARY

by Adeem the Artist

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    a record produced by Butch Walker with artwork by High Five Hannie

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  • Full Digital Discography

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    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of ANNIVERSARY, What If We Stayed?, I C U, Home Recordings Vol. 2, White Trash Revelry, Home Recordings Vol. 1, Cast-Iron Pansexual, Merry Christmas, Urgent Care, and 19 more. , and , .

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1.
there we are on a path along the Tennessee river; with your teeth bared and your soft hair, brown-blonde. there we are on a highway with an empty gallon water jug bag wrapped gas dragging our feet back to my dads old Pontiac. there we are. blackberry deep breath your head rests on my bare chest in a dim room And there’s a soft tune that’s only heard by you and me there we are again with a gas can and a fat man with a good laugh and a ride back to the exact moment we fell apart (we need a new car) there we are you are laughing on a ceramic beast with your hand relaxed on the brass pole impaling him our eyes are locked and in my pocket, a ring, of all things there we are. and it’s raining and we are falling in love again in front of everyone I know nothing but your name, and I know it endlessly, I know it in my sleep I know it in the sea that roars beyond and out of me I know it only, I know you only, There we are.
2.
Nancy 03:29 video
She’s got borderline personality disorder & in order to get off, she’s gotta see me cry That’s why we’re hollering all over the house and following each other down, Spiraling out I whistle & lie, whisper I wanna die & hold her against me ‘till the morning She gets her nails into my skin & she cums again; writhing and moaning Hey, you know this world is crazy It ain’t you and me, baby We’re just trying to find a way we can feel a little free Talk in your sleep, Tell me your secret I will keep it ‘till we wake But damn if we ain’t waking She’s got a vitamin case of vitamin-shaped capsules Theresa gave her but she shares with me That’s why we’re keeping sleeping in lately She hates to wake me With our muscles still aching But ain’t that the way we get by, you and I? You got your straight job And I got my predilection for climaxing at the same time with Nancy, Nancy, Nancy Hey, you know this world is crazy It ain’t you and me, baby We’re just trying to find a way we can feel a little free Talk in your sleep, Tell me your secret I will keep it ‘till we wake But damn if we ain’t waking
3.
I’ve been taking the train from the dock to buy guitar strings Singing songs six days a week I never really liked myself I’ve been sleeping in late, Sold a song to a show on the TV Made a couple bands and spend it on a string of dates With a penpal I will marry And the timelines interweave, Creating patterns that I trace and fall asleep in my parents basement Take it all apart, it’s part & parcel I came here with a strange and honest feeling Chase all of these contradicting versions, Childhood perversions, & dreams that never steered Let them drive a little while so that I can disappear I’ve been living in my car, lost in a flea market, looking for my family I met a girl in a little cafe and along the way, we fell in love I kiss her on the mouth in a hammock We’re headed back down South Now she’s roaring out a primitive yelp and giving birth And the timelines interweave, Creating patterns that I trace and fall asleep underneath a magnolia tree Take it all apart, it’s part & parcel I came here with a strange and honest feeling Chase all of these contradicting versions, Childhood perversions, & dreams that never steered; Let them drive a little while so that I can disappear Into the great unknown, I am nameless A coward called courageous by virtue of my trade I will fade on an idea
4.
He was the same as I remembered him back when we were younger He stole my breath the moment We locked eyes across the room Stayed up all night until the morning caught me Bitching about the patriarchy And I played coy to see how high he’d trace my inner thigh I know he only wants a one night stand But I’m wishing he would be my man I know he said it wouldn’t work out and I believed it then but now it’s different He wants a one night stand I want a life full of nights with him I was shy but I was drinking wine And we were inching towards closing time Catching up on all them lost years Of anxiety attacks He pulled me from my barstool, A little tipsy With the radio blaring “Fist City” Lead me parking lot with his palm atop The smallness of my back And he was singing along to that Loretta Lynn song I know he only wants a one night stand But I’m wishing he would be my man I know he said it wouldn’t work out and I believed it then but now it’s different He wants a one night stand I want a life full of nights with him And maybe I’m a little naive baby But I been ruminating on the ways love has saved me And when I’m waking in his arms in the morning Disarmed by the need for him that’s forming Now we’re sitting on the front porch with coffee He’s got a touch of cream but I drink mine black And when I take his hand in mine, he don’t stop me ‘Cause when the timings right you take it in and don’t look back He got a one night stand, I got a life full of nights with him
5.
Suppose you showed up Sunday To sing songs to your Savior And found the parking spaces Filled with folks red faced in anger With homemade signs opining “your children must be saved ‘Cause your youth group leaders prey on them” And you feel afraid Now the place you thought would still be safe No longer feels like home And you understand they don’t believe But why can’t they just leave you alone? Oh have I ever had that nightmare Where my heart keeps breaking, But I can’t wake, & it’s taking all I’ve got not to fight them I’m on my knees, crying out, “Please, Lord, release us” We’ve surveyed your rugged cross Don’t do us like Jesus Suppose some senators decide Your worship is obscene? All-ages Sunday service Suddenly’s a felony And you’re not sure if it’s safe to wear a cross Or pause to pray Do you teach your kids in secret? Do you tell them to be brave? Will you risk losing your children To expose them to the faith? Do you cry and pace in anger? Do you plead Amazing Grace? There’s gotta be a way we can all be free I promise not to tread on you, If you don’t tread on me Can you wake me from this nightmare?
6.
I’ve got a highlight reel of all the times I made somebody cry As a selfish, reckless, less invested friend than what I came by Some bad ideas about what loving is Left an awful residue Ain’t no way for me to unring all the bells I rang in my youth Oh, the women I have loved And left injured in the shadow of My childhood dysfunctions playing out in real time Were that when I was younger I could’ve put to use my wonder To imagine better ways a healthy partner is defined Oh the women I have loved and the wounds I left behind I thought the well-drawn line between our clothes, Meant our brains were different kinds I could not relate because the subtle shape of theirs Was not the same as mine I was insensitive and hyper sensitive, A duality not lost on me I thought that love was just these feelings With no regard for what a lover needs Oh, the women I have loved And left injured in the shadow of My childhood dysfunctions playing out in real time Were that when I was younger I could’ve put to use my wonder To imagine better ways a healthy partner is defined Oh the women I have loved and the wounds I left behind I finally got myself a therapist I was such a little wounded astronaut Using women like accessories Mirrors to reflect my broken parts
7.
I’ll carry you down there When you wanna go I’ll stop my choring If you’ll feel less alone If I’m doing the dishes Throw me a rag to dry my hands I’ll carry you down And carry you up again I’ll carry you down there I know that you’re afraid So when you need to go down there, baby Get to calling out my name If I’m out in the garden With soil covered hands I’m gonna carry you down & carry you up again I’ll carry you down there When you need to look around In search of an answer, To a question you’ve not found And even if I am sleeping, Shake me awake and take my hand I’ll carry you down, Carry you up again
8.
Settle down there on the sofa, baby Poor yourself a glass of cav-sav too I found some Etta Baker records at a yard sale And I wanna play ‘em for you If I catch you humming along Even if you’re getting the melody wrong I still want to stay up all night long making out of tune songs with you I know you been wearing a lot of pleasant faces lately I’m sure your battery is low So we don’t have to talk or even look at one another We can keep tonight quiet and slow But if I catch you humming along And you bat them pretty eyelashes and yawn Oh baby, I’m bound to just keep carrying on making out of tune songs with you Won’t you just settle in and get cozy, darlin’ Let me rub your feet and up your legs for a few You just breathe and let Ms. Reid’s piedmont picking Wash away them socialite blues And if I catch you humming along In an oversized band tee with no makeup on Honey, I’m gonna sit here till the break of dawn making out of tune songs with you
9.
Rotations 04:29
Isley Dale is balanced, flexing talent on a chair Looks at me in between locks of golden hair Improvising wordless harmonies to all my songs Grabs a ukulele and begins to strum along And I know it goes fast Everybody says that It’s just a thing you’re supposed to say But it’s real And you can’t know how it feels Until you’re well on your way How many rotations am I gonna get with you? To share with you the wisdom & magic spells I have accrued? All the laughter and the longing, Writing down or not recalling Bad jokes & silly drawings On any misadventure you can choose When I’m gone, you’ll carry on & carry all that there is left of me with you Now Isley’s in the backyard with fists of Dandelion Mixing potions up in mason jars with mint and wild violet Were that I could trap that laughter in a vial around my neck, Save it for the hard times so that I could open it ‘Cause I know it goes fast Everybody says that It’s on every fellow parents lips But it’s true, and it’s coming fast for you That sweet and beautiful eclipse And I know that you are not me I would never ask you to be You are more than I could honestly ever have expected to be true But when I’m gone, you’ll carry on & carry all that there is left of me with you
10.
Plot of Land 03:59
Nobody wants to work no more For 15 dollars sweeping floors When there ain’t a line, You gotta find chores to do cause the boss has a tizzy If you don’t look busy Even though you can’t afford the rent in this city when you punch the clock, There’s just another job waiting for you On minimum wage, you can’t afford food Or utility bills but they’re still coming due And there just ain’t time to dine at home these days What if we had soil and midnight oil? We could soak tea leaves when the water boils They say to grow where you’re planted But we wasn’t handed no garden either ways So baby I’m gonna find us a plot of land With a little house to put a family in And blueberry bushes I’ll prune to bloom for you We’ll plant pecan trees up & down the drive And sugar ‘em up come winter time Make cakes for dates with friends when they pull through We’re gonna finally get planted & grow on this planet too Now, there’s senators in every state Seeking new bigotry to legislate If you can’t win a seat, then you gotta cheat to get it done Yeah this worlds all wrong and we don’t belong But, baby, we’re making us a better one And it ain’t just us with a heart full of justice It’s tough but it’s catching on Baby I’m gonna find us a plot of land With a little house to put a family in And blueberry bushes I’ll prune to bloom for you We’ll plant pecan trees up & down the drive And sugar ‘em up come winter time Trace this state with grace before we’re through We’re gonna finally get planted & grow on this planet too
11.
There was a child limp on the pavement Like a ragdoll in the rubble there I want to reach through this vignette to pet the softness of his hair He was a child, man Just a child- I can almost hear him laughing now I would give ten years at least of mine If it bring him back somehow I saw him on the TV, through a smokescreen He was a prop on CNN Might’ve never seen him if I’m honest, If I saw that clip again When I start to get the night sweats, my forehead wet With the stress of that memory I hardly can recall it now, But my body measures it for me The muscles still remember what we saw when we were young Honey wherever we’re going, we’ll take where we come from And I see him when I’m sleeping, but his face is like my sons Under Palestinian soil Dust & shrapnel in his lungs Oh my God, what have we done? What have we done?
12.
When the fair hit town The folks came down with pockets full of jingling change to spend Kids with disabilities sold by their families Learning how to hustle down bees’n They’d joke and rhyme, drop hat lines While the locals jeer and chew Smoke cigarettes at sun rise, And then sleep ’til the afternoon But if the mule don’t wake when the circus gate Starts forming lines again Well, a white mules curse means more round here Than the last words muttered by murdered Black Men It was sometime in the late 1800’s when the circus come to Knoxville They had a flying trapeze and some clowns but the draw was a rare white mule And the elders said the thing fell dead and cursed the land in turn Made the businesses sensitive to unexpected instances where occasionally they would burn When you are in possession and authority of a brick and mortar store, It is not good for it to catch on fire Now, Maurice, he was a sweet young man With coffee skin, dawning a costly grin Bastard son of a politician Even known to have a handful of white girlfriends He was not well loved by the city bulls Or fools like Andy White So that gang framed him for murder Pulled him out of bed in the middle of the night But if the Tennessee River runs red with blood ‘Till the city runs white again Well, a white mules curse means more round here Than the last words muttered by murdered Black Men It was in 1919 that the riot started in Knoxville, Tennessee The white folk wanted a lynching so they burned city hall on what is now called market street And the National Guard got called in and set up down in the Bowery Joined the mob putting bullets into Black Knoxvillians or chasing them out of the city It’s disgusting isn’t it? To think that Maurice Mayes’ last words Were stopped by the executioner, one last act of inhumanity But they’s white folks worried then that a mule Had cursed their businesses to cyclical calamity No, Knoxville is haunted by ghosts Tethered by a cycle of inaction As long as a white mule’s curse means more Than the last words muttered by murdered Black men Wait, wait, wait

about

In December of 2022, I released a record called White Trash Revelry that was funded one dollar at a time. It was a whirlwind of an experience where I handpicked a dream band and rented a little studio in East Knoxville- blocks from the first apartment I ever had- and gave my friend Kyle space to make a little magic.

My wife, Hannah, designed the artwork while our toddler toddled expertly and we all held on real tight. By Spring, I was opening over a dozen dates for my favorite band, the Mountain Goats, and had heard *THE* Brandi Carlile call me “one of the best writers in Roots Music.” I was even nominated for an award!

Actually, because of all that, it didn’t even seem all that unusual a thing to be having coffee with one of my heroes: Butch Walker.

I was eighteen when a friend of mine gifted me a burned compact disc of his Sycamore Meadows album. Those songs became anthemic for me. When I shared my favorites for Jessye DeSilva (piano) and Nelson Williams (bass) at the kitchen table, it was explicit what an influence he’d had on my practice of the craft. That’s why it was so surreal, being that I’d just flown them into town to record an album with him.

Actually, I wasn’t really sure I had one to record when the opportunity to collaborate was presented. While I don’t consider myself a political activist, I do consider myself committed to the prophetic power of the truth and bound by blood oath to an ancient God who tasks me to seek peace and seek justice. I wasn’t sure if I had anything worth saying yet.

I did have a protest song written from a place of real heartache over the tragic death of Anthony Thompson Jr by Knoxville Police (White Mule, Black Man) and a ballad about the senseless desensitization of war (Night Sweats). Otherwise, I had been writing mostly about parenthood (Carry You Down, Rotations), some love songs for Hannah (There We Are, Socialite Blues, Plot of Land), and trying to reflect on the idea of songs as pieces of folk medicine (Nancy, Wounded Astronaut).

It wasn’t until I unearthed an old song about intersecting timelines that I wrote early in mine and Hannah’s marriage (Part & Parcel) and finished penning poetry about the revocation of rights for Queer people in the state of Tennessee (Nightmare) that I could see the stars assemble into a shape: this is an album about cycles. It’s about the psychological imprint of trauma. It’s about Anniversary as a concept and as an experience.

On March 3rd, Governor Bill Lee signed a ban on gender-affirming care for minors & gender expression restrictions into law. On March 9th, I sat on a ranch in the hill country north of Austin and I wrote Nightmare with Kyle & Hannah. On March 27th, a trans shooter murdered children in a school in Nashville. On March 31st, a woman shouted at me, “Those kids are dead because of you,” outside of a theatre in Chattanooga moments after finishing my set.

In November of 2023, Hannah put paint on my skin, on the hat I hand embellished with makeshift Fraktur wedding vows, my bandana, on the jacket that I wore to grandpa’s funeral- and we took a photo for the record cover. I am proud of this art, of these songs, and astonished by the life Butch has poured into them. My brain grew new dimensions just by being in proximity to Megan Coleman (drums) and Ellen Angelico (Actual Genuine Black Magic) and I will forever treasure this little moment we got to share.

May 3rd is the date of mine and Hannah’s Quaker Wedding in Chambersburg, PA where we acted as our own officiants. Now, on this 10 year Anniversary of our wedding, as we celebrate ten cycles around the sun together, I give you these ruminations on being from our little family to yours.

credits

released May 3, 2024

Producer: Butch Walker
Assistant Engineer- Soren Hansen
Mixing & Mastering: Robbie Artress

Recorded at The Butcher Shop in Tennessee

Drums: Megan Coleman
Bass, Upright: Nelson Williams
Piano, Synth, Rhodes, Mellotron, BGV: Jessye DeSilva
Lead Guitar, Mandolin, Banjo, Baritone Guitar: Ellen Angelico
Electric Guitar: Aaron Lee Tasjan
Background Vocals, Electric Guitar: Butch Walker
Background Vocals: Katie Pruitt
Saxophone: Owen Fader
Trombone: Michael Daugherty
Trumpet: Davis Ginn

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Adeem the Artist Tennessee

Adeem is a seventh-generation Carolinian, a makeshift poet, singer-songwriter, storyteller, and blue-collar Artist.

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